I read the following in 2012:
Charles Bukowski - The Pleasures of the Damned
Christopher Priest - Indoctrinaire
Graham Joyce - The Storm Watcher
Joe Gores - Hammett
Art From Art - short story anthology
Jim Thompson - The Getaway
John Hartley Williams - Mystery In Spiderville
Italo Calvino - The Path to the Spiders Nest
Iain Banks - The Business
Thom Gunn - The Pugilist at Rest
Joel Lane - Black Country
Raymond Chandler - Pearls Are A Nuisance
Anthony Burgess - A Clockwork Orange
Douglas Thompson - Apoidea
Paul Auster - New York Trilogy
Neil Hannan - Shenanigans
Angela Carter - The Magic Toyshop
David Guterson - Snow Falling On Cedars
Graham Joyce - The Facts of Life
The New And Perfect Man - PS Publishing anthology
Chris Bacheldor - Bear v Shark
James M Cain - Serenade
Joel Lane - The Lost District
Ray Bradbury - The Martian Chronicles
Derek Raymond - A State of Denmark
Kenzaburo Oe - The Silent Cry
Jean Genet - The Thief's Journal
Steve Savile - Houdini's Last Illusion
The Breast of Russ Meyer - film biography
Some interesting stuff there I hope you agree. By far the worst was "The Magic Toyshop" which I found a real struggle and totally uninteresting. Other books dragged a bit: both "The Silent Cry" and "The Thief's Journal" took ages to plough through despite the quality of the work. Some books I have no idea why I hadn't read them before: "A Clockwork Orange" springs to mind. I've had that on my shelf for over twenty years!
These are my top three in reverse order:
"The Pleasures of the Damned" by Charles Bukowski
"The Martian Chronicles" by Ray Bradbury
I have very strong memories of the TV series inspired by this book in the 1980s. Whilst some of the stories were therefore familiar, there was a 'futuristic nostalgia' that deeply connected me to this book.
And the winner is...
"The New York Trilogy" by Paul Auster
I get the impression Auster is an acquired taste - a writer's writer - judging from some adverse response by my partner and an old friend; but I absolutely adored this book. It contains just the kind of enigma and wordplay that I love and works everything together so well that it can't be beaten. I can't wait to read some his other work that's already bought and paid for and waiting on my shelves. There's a real 'literary excitement' to be had reading his work.
Finally, in this category, I also freelance proofread and haven't listed any of the books I've worked on as part of my reading list which would add another ten or so titles. However, special mention must be given to both "Pantomime" by Laura Lam and especially "The Mad Scientist's Daughter" by Cassandra Rose Clarke. I loved them both, and I'm sure you'll enjoy them when they're published in 2013.
I watched the following in 2012:
Alice (Jan Svankmajer)
The Time Machine
Attack the Block
Bunny and the Bull
The Skin I Live In
The Secret in their Eyes
Exit Through the Gift Shop
The Science of Sleep
King Kong (1933)
You Will Meet a Tall Dark Stranger
The White Ribbon
Little Miss Sunshine
The Hangover Part II
The Rum Diary
Into the Wild
The Darjeeling Limited
Don't Be Afraid of the Dark
Les Enfants du Paradis
On Stranger Tides
La Belle et Le Bete
Vivre Sa Vie
Midnight in Paris
Made in USA
And Soon the Darkness
Bonnie and Clyde
Fantastic Mr Fox
Jules et Jim
The Woman on the Fifth
The Life Aquatic with Steve Zissou
Kid on a Bike
Series of Unfortunate Events
My Neighbour Totoro
The Texas Chainsaw Massacre
Rebel without a Cause
Scott Pilgrim vs The World
Scott Pilgrim vs The World
God there are some good titles on that list. Narrowing it down to three is going to be almost impossible! I think I'll list the handful which need to be avoided at all costs: "Super": even Ellen Page can't save this sub-'Kick Ass' superzero movie; "The Hangover Part II": remember why part one was so good? So did the moviemakers so they served it up identical. As funny as leftovers; "Black Swan": ok, so technically a good film, but I swore for about twenty minutes afterwards at the ridiculously contrived and yet obvious ending. It really wasn't worth the ride; "You Will Meet A Tall Dark Stranger": Woody Allen on an off day.
Favourites would include "Norwegian Wood": a great adaptation of the Murakami novel; "Midnight In Paris": Woody Allen on a very good day; "Biutiful": stellar performances and a heartbreaking ending; "American Beauty": why haven't I seen this before? Another ace Kevin Spacey movie; "Snowtown": devastating.
Some of the above I've seen before, such as "Pulp Fiction", "Vivre Sa Vie", "Juno", "Jules et Jim" etc. So whilst I love them I'm not going to include them in my final three. In reverse order, here are my top movies watched in 2012:
"Death Proof" - Quentin Tarantino
This narrowly edges out Pedro Almodovar's "The Skin I Live In", but ultimately I have to go with the absolute blazing fun of this movie. The audacity to end the first half as it does after painstakingly creating those characters is a cinematic joy, and overall it's "Faster, Pussycat! Kill! Kill!" vibe greatly endears me.
"Midnight In Paris" - Woody Allen
I wasn't going to include this as I'd already mentioned it above, but looking through the titles again it's obvious it needs to be here. Perhaps because it seems so effortless I wasn't sure about it making this position, then I realised it was precisely because it seemed so effortless that indicated its brilliance. An essential movie for writers who understand that wish-fulfilment is attainable and not pure fantasy.
And the winner is...
"Melancholia" and "Antichrist" - Lars Von Trier
Well, that should read "and the winners are..." Truth is, I just can't choose between these two wonderful movies. On the one hand, the utterly believable darkness of "Antichrist" is a perfect study in desolation, but then the meandering endearing "Melancholia" is just as beautiful an examination of the psyche. The talking fox in "Antichrist" almost swung it for me, but "Melancholia" is such a gorgeous complex piece of art that it deserves the joint position. Either way, Lars Von Trier is making some incredible movies that entertain, entrance, and puzzle. I'm looking forward to seeing more of his work.
And as for 2013? I'm crap at predictions, although I'm hoping "Django Unchained" will be worth 2 hours 45 minutes of my life.