Monday, 31 December 2012

My Writing Year 2012

I thought I'd do a quick blog post as to my literary achievements during 2012.

I completed one novel begun at the tail end of 2011, a crime pulp noir titled "Church of Wire", and have begun and am halfway through a new novel, "Body And Soul." This one is a far future SF/F book.

I wrote thirteen short stories this year: "Drowning In Air", "The Evening Of The Mule", "The Stench Of Winter", "The Universe At Gun Point", "Dumb Broad", "My Naked Man", "The Abduction Of Europe", "The Perfection Of Symmetry", "Tetsudo Fan", "The Aniseed Gumball Kid", "The Last Mohican", "Beyond The Island Of The Dolls" and "Rain From A Clear Blue Sky". I do like my titles!

I sold five short stories: "The Quickening" to Shadows & Tall Trees, "The Universe At Gun Point" to The First Book Of Classical Horror, "The Perfection Of Symmetry" to Chiral Mad, "Tetsudo Fan" to the Rustblind & Silverbright anthology from Eibonvale Press, and "Drowning In Air" to an anthology I cannot name til next year.

The following six short stories appeared in print this year: "Dizzy Land" in Black Static #26, "Monster Girl" in The Monster Book For Girls, "The Human Map" in Where Are We Going? (Eibonvale Press), "Things That Are Here Now, Things That Were There Then" in Dark Currents (NewCon Press), "The Universe At Gun Point" in The First Book Of Classical Horror, and "The Perfection Of Symmetry" in Chiral Mad.

I have a handful of stories awaiting publication that were accepted in 2011, a novella, short story collection, and two novels under consideration, and a collaborative story collection awaiting publication.

Not bad considering this little one was born midway through the year, and also that I work full-time Monday to Friday, work part-time alternate Sundays, freelance typeset and proofread often in the evenings, and have been co-editor with Fur-Lined Ghettos. Not often I blow my own trumpet, but it is the start of a New Year and should be heralded as such!

Tuesday, 18 December 2012

The Best and Worst of 2012

Well, it's that time of the year when everyone is doing their 'best and worst of' lists. As if the start to a New Year really is a magical time of ending and beginning rather than a human tradition defined by numbers which has no bearing on the real world. Yet, if there is a time to do it, I guess it should be now. I know I'm a little early, but it's the end of the world on Friday! I'm going to list the books and movies I read/watched in 2012 and pick my favourites. This isn't restricted to what was new in 2012, but what I actually watched and read - some of these items might be very old indeed.


I read the following in 2012:

Charles Bukowski - The Pleasures of the Damned
Christopher Priest - Indoctrinaire
Graham Joyce - The Storm Watcher
Joe Gores - Hammett
Art From Art - short story anthology
Jim Thompson - The Getaway
John Hartley Williams - Mystery In Spiderville
Italo Calvino - The Path to the Spiders Nest
Iain Banks - The Business
Thom Gunn - The Pugilist at Rest
Joel Lane - Black Country
Raymond Chandler - Pearls Are A Nuisance
Anthony Burgess - A Clockwork Orange
Douglas Thompson - Apoidea
Paul Auster - New York Trilogy
Neil Hannan - Shenanigans
Angela Carter - The Magic Toyshop
David Guterson - Snow Falling On Cedars
Graham Joyce - The Facts of Life
The New And Perfect Man - PS Publishing anthology
Chris Bacheldor - Bear v Shark
James M Cain - Serenade
Joel Lane - The Lost District
Ray Bradbury - The Martian Chronicles
Derek Raymond - A State of Denmark
Kenzaburo Oe - The Silent Cry
Jean Genet - The Thief's Journal
Steve Savile - Houdini's Last Illusion
The Breast of Russ Meyer - film biography

Some interesting stuff there I hope you agree. By far the worst was "The Magic Toyshop" which I found a real struggle and totally uninteresting. Other books dragged a bit: both "The Silent Cry" and "The Thief's Journal" took ages to plough through despite the quality of the work. Some books I have no idea why I hadn't read them before: "A Clockwork Orange" springs to mind. I've had that on my shelf for over twenty years!

These are my top three in reverse order:

"The Pleasures of the Damned" by Charles Bukowski

My partner introduced me to his work a few years ago and I find his prose incredibly succinct, pertinent, sometimes breathtaking, and totally honest. He edges out "The Facts of Life" to be included in my final three.

"The Martian Chronicles" by Ray Bradbury

I have very strong memories of the TV series inspired by this book in the 1980s. Whilst some of the stories were therefore familiar, there was a 'futuristic nostalgia' that deeply connected me to this book.

And the winner is...

"The New York Trilogy" by Paul Auster

I get the impression Auster is an acquired taste - a writer's writer - judging from some adverse response by my partner and an old friend; but I absolutely adored this book. It contains just the kind of enigma and wordplay that I love and works everything together so well that it can't be beaten. I can't wait to read some his other work that's already bought and paid for and waiting on my shelves. There's a real 'literary excitement' to be had reading his work.

Finally, in this category, I also freelance proofread and haven't listed any of the books I've worked on as part of my reading list which would add another ten or so titles. However, special mention must be given to both "Pantomime" by Laura Lam and especially "The Mad Scientist's Daughter" by Cassandra Rose Clarke. I loved them both, and I'm sure you'll enjoy them when they're published in 2013.

I watched the following in 2012:

Source Code
Norwegian Wood
Black Swan
Monkey Business
Alice (Jan Svankmajer)
The Time Machine
Attack the Block
Bunny and the Bull
Brighton Rock
The Skin I Live In
The Secret in their Eyes
Exit Through the Gift Shop
The Science of Sleep
A Prophet
La Haine
The Orphanage
King Kong (1933)
Beautiful Lies
American Beauty
You Will Meet a Tall Dark Stranger
The White Ribbon
Death Proof
Little Miss Sunshine
The Hangover Part II
The Rum Diary
Into the Wild
The Awakening
The Getaway
Julia's Eyes
American Psycho
The Darjeeling Limited 
Don't Be Afraid of the Dark
Les Enfants du Paradis
Dead Ringers
Brief Encounter
On Stranger Tides
La Belle et Le Bete
Vivre Sa Vie
Midnight in Paris
Kill List
Animal Kingdom
Made in USA
And Soon the Darkness
Bonnie and Clyde
Lola Montes
Young Adult 
Fantastic Mr Fox
Jules et Jim
The Woman on the Fifth
The Descendants
Pulp Fiction
The Life Aquatic with Steve Zissou
Kid on a Bike
Silent House
L.A Confidential
Series of Unfortunate Events
The Artist
My Neighbour Totoro
The Texas Chainsaw Massacre
Kick Ass
The Hunter
Rebel without a Cause
Electrik Children
Scott Pilgrim vs The World
Groundhog Day

God there are some good titles on that list. Narrowing it down to three is going to be almost impossible! I think I'll list the handful which need to be avoided at all costs: "Super": even Ellen Page can't save this sub-'Kick Ass' superzero movie; "The Hangover Part II": remember why part one was so good? So did the moviemakers so they served it up identical. As funny as leftovers; "Black Swan": ok, so technically a good film, but I swore for about twenty minutes afterwards at the ridiculously contrived and yet obvious ending. It really wasn't worth the ride; "You Will Meet A Tall Dark Stranger": Woody Allen on an off day.

Favourites would include "Norwegian Wood": a great adaptation of the Murakami novel; "Midnight In Paris": Woody Allen on a very good day; "Biutiful": stellar performances and a heartbreaking ending; "American Beauty": why haven't I seen this before? Another ace Kevin Spacey movie; "Snowtown": devastating.

Some of the above I've seen before, such as "Pulp Fiction", "Vivre Sa Vie", "Juno", "Jules et Jim" etc. So whilst I love them I'm not going to include them in my final three. In reverse order, here are my top movies watched in 2012:

"Death Proof" - Quentin Tarantino

This narrowly edges out Pedro Almodovar's "The Skin I Live In", but ultimately I have to go with the absolute blazing fun of this movie. The audacity to end the first half as it does after painstakingly creating those characters is a cinematic joy, and overall it's "Faster, Pussycat! Kill! Kill!" vibe greatly endears me.

"Midnight In Paris" - Woody Allen

I wasn't going to include this as I'd already mentioned it above, but looking through the titles again it's obvious it needs to be here. Perhaps because it seems so effortless I wasn't sure about it making this position, then I realised it was precisely because it seemed so effortless that indicated its brilliance. An essential movie for writers who understand that wish-fulfilment is attainable and not pure fantasy.

And the winner is...

"Melancholia" and "Antichrist" - Lars Von Trier

Well, that should read "and the winners are..." Truth is, I just can't choose between these two wonderful movies. On the one hand, the utterly believable darkness of "Antichrist" is a perfect study in desolation, but then the meandering endearing "Melancholia" is just as beautiful an examination of the psyche. The talking fox in "Antichrist" almost swung it for me, but "Melancholia" is such a gorgeous complex piece of art that it deserves the joint position. Either way, Lars Von Trier is making some incredible movies that entertain, entrance, and puzzle. I'm looking forward to seeing more of his work.

And as for 2013? I'm crap at predictions, although I'm hoping "Django Unchained" will be worth 2 hours 45 minutes of my life.

Saturday, 8 December 2012

Love Songs

Over the last year I read two books by the French writer Jean Genet. In some ways they are fascinating works about criminals and homosexuality, but having no direct experience of either I've also found them a bit of a struggle. "Our Lady of the Flowers" was an almost stream of consciousness narrative of masturbational fantasies, and "The Thief's Journal" - which seems more autobiographical - also slid from one story into another without much of a linear plot. Just as something seemed to be actually happening, it felt like Genet got distracted and we followed his mind elsewhere. Nevertheless, they are an important part of French literature, and subsequently googling Genet I came across this short movie he made in 1950 which is very Cocteau-like in it's b&w imagery. For me, this is a far more accessible introduction to Genet, and I suggest you watch it (beware, there is some sexual imagery that is not for non-adult viewers). I found it a fascinating allegory (and whilst I'm not sure if the musical score was added subsequently I felt it perfectly suited the images). It's titled "Un Chant d'Amour" (Love Song).

On an otherwise unrelated note, but with serendipity bringing the two elements of this blog together, I saw The Damned in concert last week. I've always had a bit of a love/frustrate relationship with their music, although "The Black Album" is probably one of my favourite records. The gig was excellent in many ways, yet despite their musicianship they always sound like a band falling downstairs (not a bad thing). Like Genet, there's some self-indulgence to their work; yet for me the energy can be incapsulated in one of my favourites songs. The one I have to leap around to like a 15yr old idiot (the more observant might glimpse my bobbing bald head). And, coincidentally, it is "Love Song".